top of page
Writer's pictureVajra Balaji

BHAKTHI AND BHARATHANATYAM

Bhakti and Bharatanatyam are interconnected aspects of Indian culture and art.

Bhakti refers to the devotional aspect of Hinduism, emphasizing a personal and

emotional connection with the divine. Bharatnatyam, on the other hand, is a classical

dance form that originated in the southern state of Tamil Nadu.


Bhakti is a path of devotion and surrender, where individuals express their

love, reverence, and devotion to a chosen deity or deities. It involves deep emotional

attachment, prayer, rituals, and the singing of devotional songs or hymns known as

bhajans or keerthanas. Bhakti is not limited to any specific form or medium and can

be expressed through various artistic forms such as music, dance, poetry, and art.


Bharatanatyam, often considered the embodiment of bhakti, is highly

expressive and rhythmic dance form. It is characterized by intricate footwork, hand

gestures(mudras), facial expression(abhinayam), and elaborate body movements.

Traditionally, Bharatnatyam was performed in temples as a form of devotion and as a

means to convey stories from Hindu mythology. The dance repeat war includes both

abstract and narrative pieces, loving dancers to portray various emotions and tell

stories of love, devotion, and spirituality.


In Bharatanatyam, the dancer not only showcases technical skills but also

strives to evoke and emotional response from the audience. The dance movements are

often accompanied by devotional songs, which further enhance the spiritual aspect of

the performance. The themes and stories depicted in Bharatanatyam often revolve

around the lives of Hindu deities and the interactions with devotees.


Overall, both bhakti and bharatanatyam are intertwined in their expression of

devotion and spirituality. Bharatanatyam serves as a powerful medium to convey the

emotions and stories associated with bhakti, allowing dancers to connect with the

divine and evoke a similar connection in the hearts of the audience.




16 views0 comments

Commentaires


bottom of page